Hyphen Press

Sue Walker

Sue Walker is Professor of Typography and a former Head of the Department of Typography & Graphic Communication at the University of Reading. She has written numerous articles about typography and design for children. Her research interests are in the relationship between typography and language, and in information design history, theory and practice. With Eric Kindel she was Co-Investigator on the ‘Isotype revisited’ project; its research products have included From hieroglyphics to Isotype, the exhibition ‘Isotype: international picture language’ (V&A, 2010–11), and Isotype: design and contexts, 1925–1971. See also here.

Books

Large 047 i

Isotype: design and contexts, 1925–1971

Christopher Burke, Eric Kindel, Sue Walker (editors)

The work in graphic communication carried out by Otto Neurath and his associates – now commonly known simply as Isotype – has been the subject of much interest in recent years. Conceived and developed in the 1920s as ‘the Vienna method of pictorial statistics’, this approach to designing information had from its inception the power to grow and spread internationally. Political developments in Europe played their part in its development, and production moved to the Netherlands (1934) and to England (1940), where the Isotype Institute continued to produce work until 1971. Bringing together the latest research, this book is the first comprehensive, detailed account of its subject. The Austrian, Dutch, and English years of Isotype are described here freshly and extensively. There are chapters on the notable extensions of Isotype to Soviet Russia, the USA, and Africa. Isotype work in film and in designing for children is fully documented and discussed. Between these main chapters the book presents interludes documenting Isotype production visually. Three appendices reprint key documents. In its international coverage and its extensions into the wider terrain of history, this book opens a new vista in graphic design.

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Large 044 fhti

From hieroglyphics to Isotype: a visual autobiography

Otto Neurath / edited by Matthew Eve & Christopher Burke

Otto Neurath wrote From hieroglyphics to Isotype during the last two years of his life: this is the first publication of the full text, carefully edited from the original manuscripts in the Otto & Marie Neurath Isotype Collection at the University of Reading. Calling it a ‘visual autobiography’, Neurath documents the importance to him of visual material, from his earliest years to his professional activity with the picture language of Isotype. He draws clear connections between the stimulus he received as a boy – from illustrated books, toys, and exhibitions – to the considered work in visual education that occupied him for the last twenty years of his life. This engaging and informal account gives a rich picture of Central-European culture around the turn of the twentieth century, as well as an exposition of the techniques of Isotype. The edition includes the numerous illustrations intended by Neurath to accompany his text, and is completed by an extensive appendix showing examples from the rich variety of graphic material that he collected.

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Large 033 tp7

Typography papers 7

This occasional, book-length work is edited and produced at the Department of Typography, University of Reading, and is now published by Hyphen Press. It publishes extended articles on its subject, exploring topics to the length to which they want to go. Its scope is broad and international, its treatment – serious and lively.

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Journal

‘Typography papers 9’ and ‘Isotype’

Large tp9 iso boxes

2013.12.10

Copies of our two new titles arrived in the office recently, and we are releasing them for sale today. These are Typography papers 9, edited by Eric Kindel and Paul Luna, and Isotype: design and contexts, 1925–1971, edited by Christopher Burke, Eric Kindel, and Sue Walker. Both books are collaborations with the Department of Typography at the University of Reading; the second book being an outcome of the Isotype revisited project there. Both books have been well printed by Die Keure in Bruges. Both have been well finished and bound (using cold glue) by, respectively, Sepeli in Evergem and Callenbach in Nijkerk. For some people the binding alone will make them worth getting hold of. For others the extraordinarily rich content will be the main reason for acquisition. Read more