Hyphen Press

Kindel

A list of all items tagged with Kindel

Typography papers 9

Hyphen Press / 2022.08.22

This latest issue of the series of Typography papers opens with a beautifully illustrated article by the type designer Gerard Unger on ‘Romanesque’ letters. A further installment of Eric Kindel’s pathbreaking history of stencil letters is published in contributions by him, Fred Smeijers, and James Mosley. Maurice Göldner writes the first history of an early twentieth-century German typefounder, Brüder Butter. William Berkson and Peter Enneson recover the notion of ‘readability’ through a history of the collaboration between Matthew Luckiesh and the Linotype Company. Paul Luna discusses the role of pictures in dictionaries. Titus Nemeth describes a new form of Arabic type for metal composition. The whole gathering shows the remarkable variety and vitality of typography now.

Find out more

Typography papers 7

Hyphen Press /

This occasional, book-length work is edited and produced at the Department of Typography, University of Reading, and is now published by Hyphen Press. It publishes extended articles on its subject, exploring topics to the length to which they want to go. Its scope is broad and international, its treatment – serious and lively.

Find out more

Typeform dialogues

Hyphen Press /

We are publishing here materials from the ‘Typeform dialogues’ project carried out at Central Saint Martins College of Art & Design, London, in 1994–8 and afterwards. This is the second edition of the document first published on this website in 2012. The main change in this new edition is the addition of essays by Eric Kindel (‘Eminents observed’) and Catherine Dixon (‘Systematizing the platypus’). As in the first edition, the document contains the User’s Manual for the CD-based interface, which was the project’s main focus, together with various supporting materials that describe the project. The work is edited by Eric Kindel, with contributions throughout from Catherine Dixon.

Find out more

Isotype: design and contexts, 1925–1971

Hyphen Press /

The work in graphic communication carried out by Otto Neurath and his associates – now commonly known simply as Isotype – has been the subject of much interest in recent years. Conceived and developed in the 1920s as ‘the Vienna method of pictorial statistics’, this approach to designing information had from its inception the power to grow and spread internationally. Political developments in Europe played their part in its development, and production moved to the Netherlands (1934) and to England (1940), where the Isotype Institute continued to produce work until 1971. Bringing together the latest research, this book is the first comprehensive, detailed account of its subject. The Austrian, Dutch, and English years of Isotype are described here freshly and extensively. There are chapters on the notable extensions of Isotype to Soviet Russia, the USA, and Africa. Isotype work in film and in designing for children is fully documented and discussed. Between these main chapters the book presents interludes documenting Isotype production visually. Three appendices reprint key documents. In its international coverage and its extensions into the wider terrain of history, this book opens a new vista in graphic design.

Find out more

‘Typeform dialogues’, second edition

Hyphen Press / 2019.01.08

Last month we uploaded a second, much extended, edition of the ‘Typeform dialogues’ document, first published here in 2012.

Find out more

‘Typeform dialogues’

Hyphen Press / 2012.11.26

We have today posted – free to download – a document that gathers materials from the Typeform dialogues project, carried out by Eric Kindel, Catherine Dixon, and others at Central Saint Martins, London, in 1994–8 and afterwards.

Find out more