A list of all items tagged with modernism
The work and life of this German type and book-designer are, for the first time, presented at length and with full historical documentation. Renner lived through the first half of the twentieth century, and this book is, in effect, a history of typography in Germany in those years. It also speaks to present concerns in design, and especially to the search for a rationality deeper than one of easy rules of style.Out of print. Find out more
Presents the work and life of this essential typographer, until now too little known outside the circle of his friends and students. Froshaug was a deep and charismatic thinker-practitioner, whose insights return us to the fundamentals of typography. The book consists of two interacting volumes: the solid record of the work is placed against the contingencies of the life. A traditional monograph is unsettled by an exploration in documentary.Find out more and buy
A set of collages made from mainly contemporary sources, which recount episodes in modernist architecture in the twentieth century. This is a story of a fragile and occasionally noble dream, in the context of a history going violently wrong. These images are supplemented by short parallel prose meditations. Wild’s images have a wonderful rightness of form. But they are far from idealized: politically charged, they have a disconcerting sense of erotics and low humour.Out of print. Find out more
This remarkable volume is a collection of eleven essays and shorter articles which for the first time provide rich contexts – social, cultural, and political – for graphic design in Britain. Reaching from the Second World War to the early 1970s, they fizz with provocative interconnections: between print culture, photojournalism and publishing, the London of émigrés, political meetings and demonstrations, cultural cafés and art schools. From these disparate milieux emerged new ideas about designing: configuring and picturing the world of facts and processes, shaping them for understanding, learning, and action. Presented here are documents of the nation’s life in war, its reconstruction through the passages from scarcity to plenty, the seeds of later fragmentation, always fertile with multiple intersections between biography and history.Find out more and buy
Born to South American parents, British citizen, cosmopolitan at heart, Edward Wright – painter and object-maker, typographer, writer, teacher – was an enigmatic presence in London’s post-War art and design scene. Wright has been described thus: ‘His subjects: human communication, the mundane, the street. His manner: sparing, self-critical, yet the work had vigorous attack and full conviction. His typical method: assemblage, with what was to hand.’Out of print. Find out more
A brisk tour through the history of Western typography, from the time (c.1700 in France and England) when it can be said to have become ‘modern’. A spotlight is directed at different cultures in different times, to trace the developments and shifts in modern typography. Attention is given to ideas, to social context, and to technics, thus stepping over the limited and tired tropes of stylistic analysis. This is a reprint of the second edition, which has some variations in the pictures as well as corrections and updatings in the text.Find out more and buy
A book of writings from twenty-five years of engagement on the peripheries of both journalism and academic life, and drawn largely from small-circulation and now hard-to-access publications. Persistent themes include: editorial typography, the emergence of graphic design in Britain, emigré designers, Dutch typography, the work of critical modernist designersOut of print. Find out more
The work in graphic communication carried out by Otto Neurath and his associates – now commonly known simply as Isotype – has been the subject of much interest in recent years. Conceived and developed in the 1920s as ‘the Vienna method of pictorial statistics’, this approach to designing information had from its inception the power to grow and spread internationally. Political developments in Europe played their part in its development, and production moved to the Netherlands (1934) and to England (1940), where the Isotype Institute continued to produce work until 1971. Bringing together the latest research, this book is the first comprehensive, detailed account of its subject. The Austrian, Dutch, and English years of Isotype are described here freshly and extensively. There are chapters on the notable extensions of Isotype to Soviet Russia, the USA, and Africa. Isotype work in film and in designing for children is fully documented and discussed. Between these main chapters the book presents interludes documenting Isotype production visually. Three appendices reprint key documents. In its international coverage and its extensions into the wider terrain of history, this book opens a new vista in graphic design.Find out more and buy
In summer of this year the Royal Festival Hall, on the South Bank of London’s river, was reopened after a major, two-year refurbishment. The auditorium itself was remade and restored, and the rest of the building was significantly remade/restored too. The spirit and the materials of the original building were respected, at the same time changes needed for the place’s new uses were made. The architects leading the work were Allies & Morrison, among the most convincing and least pretentious of the UK firms practising ‘modern architecture’. Read more
For a foretaste of Typography papers 8, have a look at Paul Stiff’s ‘Mitteleuropa and Bethnal Green’ (‘Mitteleuropa’ = Central Europe). TP8 is a special issue of the irregular but still serial publication, and for once it will carry a title or subtitle: ‘Modern typography in Britain: graphic design, politics and society’.
The next Hyphen book, Modern typography in Britain: graphic design, politics, and society – a special issue of Typography papers (no. 8) – is now at the printers. It will be published in September.
This week we received copies of Modern typography in Britain: a very packed and rich set of discussions, which will surely come to define its still too little comprehended subject. The book is at the same time Typography papers 8, and continues Typography papers’s work of publishing fully serious, lively and comprehensible articles. Read more