David Wild’s ‘photomemento’ tells an Englishman’s story lived to a soundtrack of jazz. At its heart are photographs made during a two-year stay in America in the mid-1960s, on a passage through New York, Chicago, Detroit, St Louis, New Orleans. These pictures, in turn, formed the basis of photomontages. Jazzpaths is a partial document of the jazz scene of that time, mixing remarkable pictures of musicians with biting images of life on the streets.

Human space is an English translation of one of the most comprehensive studies of space as we experience it. Since it was published in Germany in 1963, Bollnow’s text has become a key reading in architecture, anthropology, and philosophy, and has been kept continuously in print (in 2010 the German edition was issued in its eleventh impression). The book is serious academic research and something more – showing a great sensitivity to the near and the everyday. The text is enlivened and illustrated with many quotations, principally from German and English literature. Our edition is translated by Christine Shuttleworth and has an afterword by Joseph Kohlmaier, who places the work in its context of philosophical and architectural discussion.

For over ten years Peter Campbell has reviewed art exhibitions for the London Review of Books. His writing is distinctive: often closely descriptive, always inquisitive about technique, it is the product of an independent mind and eye. Easy evaluations are resisted: we are invited to consider the work on show in its present place – ‘at’ the museum or gallery to which the critic has travelled on our behalf. This generous selection of reviews covers a wide range of subjects, from Bellini and Titian to Lucian Freud and Louise Bourgeois, from Hawksmoor to Libeskind. Blockbusting shows are noticed, but so too are exhibitions of unfashionable artists, of photographers and applied artists. Reviews of buildings and pieces on the everyday urban scene add another dimension to this book. Campbell is a typographer and book designer, and is also the draftsman of the London Review’s covers. His writing is of a piece with these accomplishments.

This occasional, book-length work is edited and produced at the Department of Typography, University of Reading, and is now published by Hyphen Press. It publishes extended articles on its subject, exploring topics to the length to which they want to go. Its scope is broad and international, its treatment – serious and lively.

A set of collages made from mainly contemporary sources, which recount episodes in modernist architecture in the twentieth century. This is a story of a fragile and occasionally noble dream, in the context of a history going violently wrong. These images are supplemented by short parallel prose meditations. Wild’s images have a wonderful rightness of form. But they are far from idealized: politically charged, they have a disconcerting sense of erotics and low humour.