This review of the book Wim Crouwel: mode en module, by Frederike Huygen and Hugues Boekrad, was written for and published in an issue Typography papers, now out of print. The Crouwel book, as it was often referred to, was issued only in a Dutch edition, which sold out quickly. Since then, Wim Crouwel’s renown has only increased. Most recently his work has been celebrated in a major exhibition (at the Design Museum, London, 2011, and on show from this month at The Lighthouse, Glasgow); in The Hague he has been awarded the Gerrit Noordzij Prize (2009, with an exhibition following in 2012). Wim Crouwel: mode en module is now something of a fabled work, with large prices asked for second-hand copies. Given the continuing absence of an English-language edition of the book – which would surely be a tough translation, editorial, and production job, as well as an expensive one – this review may be worth resurrecting, as a marker of a moment in the discussion of graphic design. This version of my text is essentially as published in Typography papers, with a few updating remarks added in the notes.